In "Catch Me If You Can" blockbuster
Heidelberg, long-respected in printing circles, is fast
becoming a household name thanks to its Hollywood debut in the hit
movie 'Catch Me If You Can.'
In the film, an FBI agent on the trail of a check
counterfeiter brings the latest piece of evidence to a pair of
printers to ask for clues about its production. The experts
hold the false check up to the light and conclude that because of
the superb quality of the piece, it could only have been printed on
a Heidelberg.
The movie - produced by mogul Steven Spielberg and his
DreamWorks studio - is an adaptation of the real life story of
Frank W. Abagnale, Jr., played by Leonardo DiCaprio, who before the
age of 21 successfully duped federal agents and made millions of
dollars by counterfeiting checks. His skills at forgery improve
with age and technology, so that by the end of the film, Abagnale
reaches the pinnacle of his craftsmanship, working in a provincial
French print shop to produce counterfeit checks of authentic
production quality.
"It's a perfect one-sixteenth all the way around. Color
separation is flawless - there's no bleeding," one of the printer
characters said in the film, according to the script. "Where
was it printed?" asked the FBI agent played by actor Tom Hanks. "It
was printed on a monster - a Heidelberg…four color," answered
one of the printers. "You can smell the weight - two tons without
the ink."
Heidelberg's appearance on the silver screen came
about through no direct contribution from the company.
DreamWorks screenwriters and prop masters, in an effort to retell
Abagnale's real-life story as historically accurately as possible,
found through their own independent research that Abagnale had used
a Heidelberg press in his real-life misadventures and that its
reputation for quality printing is unparalleled. DreamWorks
assistant prop manager for the film, Ritchie Kremer, conducted
dozens of hours of research for the press scenes, and in the
process learned about Heidelberg and its industry standing. "I
found that it was a really good machine and that's why Frank
Abagnale used it," said Kremer, who helped recreate the look of a
European pressroom in 1967.
At the time Abagnale was forging checks in the mid-1960s,
Heidelberg was thriving amid a changeover from letterpress to
offset, which the company entered in 1962. In 1967, the year
Abagnale was nabbed by authorities, the company was renamed
Heidelberger Druckmaschinen Aktiengesellschaft and was preparing
for the stunning introduction of the first Speedmaster in 1974.
Image:
Frank W. Abagnale, Jr., played by Leonardo DiCaprio,
holds the counterfeit check up to the light and concludes that
because of the superb quality of the piece, it could only have been
printed on a Heidelberg.
For further information:
Heidelberger Druckmaschinen AG
Corporate Communications
Thomas Fichtl
Tel.: +49 (0)6221 92 47 47
Fax: +49 (0)6221 92 50 69
E-mail:
thomas.fichtl@heidelberg.com